Monday, September 5, 2011

Treasures from La Jolla

Whenever I attend a conference about writing, my creativity and spirit are strengthened and empowered. The La Jolla Writers Conference is a unique gathering of authors, agents and literary experts that "pay it forward," without remuneration. Here are a few highlights gleaned from their presentations.

“People get in trouble when they write not from what they believe and know, but from false or contrived perspectives. When you write a screenplay, ignore Hollywood trends. Write from your truth. Remember, our brains process visual media in the same way they process dreams. Build honesty into your script by remembering that all characters lie.”
Warren Lewis/Screenwriter

“Each character brings skills to the table, skills including social engineering or manipulation. Their appearances can disarm. Inner duality sets up conflict, beautifully. Weaknesses inspire lessons learned and, in heroes, can become strengths. When crafting characters, remember that Ted Bundy worked at a suicide hotline and refused to steal cars that were uninsured. Superman needs his kryptonite.”
Lisa Gardner/Author

“I always think that what I write is rubbish. Even today, I feel my editors have been conned by my first eleven books and will discover their mistake in book twelve! But, I want to tell you that the key to great writing is to write. Simply write. Write every day. Write through pain and into inspiration. Your test is just this…anyone can start a book, but few can finish it.”
Jane Green/Author

“We each have a distinctive style by what we choose and how we write. As a writer, I’m not teaching math or discussing natural law. Sloppy craftsmanship is discernable and technical. When you hear the typing as you read, it’s sloppy craftsmanship. Openings are important because they determine whether or not you get read. It’s your last chance to make a first impression. Transparency to the mind of the character is essential. Remember, all there is in a book is writing. Embed the details. Trust the reader. You get character through action. Plant details that keep your reader turning the page.”
Steven Boyett/Author 

“The difference between a published writer and an unpublished writer is one submission. Mastery of a skill usually takes at least 10,000 hours. How can you apply yourself to writing and cut straight to quality? Outlining moves your story forward. When you feel confident with the outline, your muse feels confident with the tale. The telling detail, specific and pertinent, makes the difference. Good enough isn’t good enough. Use all your powers. Write to please yourself, to satisfy your deep-seated urge to be great. If you do less, your writing will not satisfy.”
Mark Clementes/Author

“Get informed about the writing world. Make connections that link your character to significant world events. Make others think that their lives would be improved with your book and that they can’t live without your book. Then, your book will sell!”
Antoinette Kuritz/Literary Publicist

Learning from the best improves your knowledge and skills. More writers should attend conferences, like the La Jolla Writers Conference, where their best efforts are rewarded and their talents refined.

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